Blogging With BRAE
Blogging with BRAE: Amplifying Black Literature & Voices
Every month, Blogging with BRAE dives into topics that matter to the Black reading community and authors. From industry shifts to cultural conversations, we tackle key issues that shape our literary world. By sharing information and engaging in meaningful discussions, we stay informed about current literary events while fostering a deeper understanding of the challenges and opportunities within our community. Our blog is more than just content—it’s a space for connection, empowerment, and advocacy for Black literature. Join the conversation, stay informed, and help us amplify our voices. #BloggingWithBRAE
🔥 Black Book Events – Money Grabs or Cultural Necessities?
When it comes to Black literary culture, few things generate as much debate as book events. Whether it’s expos, festivals, conventions, or pop-ups, the chatter often circles back to one question: Are these gatherings genuine cultural necessities, or are they simply money grabs?
Let’s talk about it.
Why Book Events Matter
At their core, Black book events are cultural powerhouses. They:
Provide visibility for Black indie authors who are often overlooked by mainstream publishing.
Create safe spaces for readers to engage with stories that reflect their lives and histories.
Strengthen community bonds, reminding us that storytelling is both heritage and healing.
Encourage adult literacy and inspire younger generations to develop a love for reading.
These events are not just about selling books; they’re about sustaining culture.
The Reality of Costs
But here’s the flip side. Hosting any event costs money—real money. From venues to marketing, every detail adds up. Let’s break it down:
Venue Rental: $2,500 – $20,000+, depending on location.
Marketing & Promotion: $500 – $8,000 for flyers, ads, and social media campaigns.
Tables/Booths & Setup: $100 – $350 per author/vendor space.
Sound, Lighting, AV: $2,000 – $5,500.
Staffing & Security: $500 – $2,000.
Extras (programs, swag bags, décor, permits): $1,000 – $5,000.
When you look at these numbers, it becomes clear: ticket sales and author/vendor fees are not about profit, they’re about covering expenses.
The Debate: Ticket Sales & Author Attendance
Some readers and authors ask: Why do I have to pay to attend an event? Why do authors pay to showcase their work?
Here’s why:
Ticket sales help cover venue and production costs.
Author/vendor fees offset the setup expenses (tables, chairs, signage, etc.).
Without these contributions, the event can’t happen—period.
Still, concerns about accessibility and fairness are valid. Some events price out smaller authors or underfunded readers. The key is balance: making events affordable while ensuring they are sustainable.
The Hidden Costs Nobody Sees
Beyond dollars and cents, hosting a book event demands something even more valuable: time, energy, and family sacrifices.
Time: Planning an event can take 6–12 months of behind-the-scenes work—venue scouting, vendor coordination, outreach, sponsorship pitches, press kits, volunteer organizing, and a million follow-ups. That’s essentially another full-time job.
Energy: The mental load is heavy. From putting out fires on event day to managing author expectations, hosts are often stretched thin, running on adrenaline and little sleep.
Family Sacrifice: Many hosts invest their personal finances and ask their families to sacrifice vacations, weekends, and even household budgets to make the event possible. Spouses and children often become part of the “event team,” unpaid but essential.
Emotional Labor: There’s also the weight of expectation. Hosts carry the responsibility of making sure readers leave inspired, authors feel supported, and sponsors see value. If anything goes wrong, the criticism is personal.
When you add these unseen costs, the question shifts: Are book events money grabs—or are they labors of love that demand more than most people realize?
Are All Events Created Equal?
Let’s be real, not every book event is worth it. Some organizers do overcharge without providing value (poor turnout, lack of promotion, unorganized execution). That’s where the criticism of “money grabs” is fair but still untrue. There is still a cost associated with any event. And organizers soon realize that unless they can deliver on the reader experience, poor turnout and author attendance will dwindle.
But well-planned events, those that:
Invest in promotion and marketing,
Attract engaged readers,
Create meaningful experiences (panels, workshops, networking),
…are more than worth the ticket or table price. They’re investments in our stories, our authors, and our future.
BRAE’s Stance
At BRAE, we believe book events are cultural necessities. But we also believe in transparency. Readers, authors, and organizers deserve to know where the money goes and how events serve the community.
Our commitment is to keep events accessible, purposeful, and community-driven. Because at the end of the day, Black book events aren’t just about the books, they’re about our collective legacy. Black book events are not money grabs. The cost associated with gathering like-minded readers and authors is an undertaking that few fully understand. The complexities of orchestrating such a task, their intentions, transparency, and keeping the community at the center are priceless and often thankless jobs. Few make a profit, and even fewer commit to continuing to host events after the second try.
We need to stop engaging in negative conversations that tear down platforms and those that host book events. Black book events are not money grabs. They are cultural lifelines that deserve to be respected, supported, and sustained. Every ticket purchased, every table reserved, and every book sold is an investment in preserving our stories, amplifying our voices, and ensuring that Black literature continues to thrive for generations to come.